![]() If your character doesn’t have a reason for being there, then maybe they shouldn’t be. Passive/malleable might seem likable to you as you write, but it’s poison to the audience.Įven the most passive character has a point of view. Surprising yourself can often lead to surprising the audience! 13. And the second, third, fourth, fifth – get the obvious out of the way. Discount the first thing that comes to mind. Your stories are meant to be told, so don’t let it swim around in your mind forever! 12. It’s not a screenplay until you can share it with someone. ![]() If it stays in your head, a perfect idea, you’ll never share it with anyone. Putting it on paper lets you start fixing it. There’s nothing more helpful than studying the films and scripts that resonate with you! 11. What you like in them is a part of you you’ve got to recognize it before you can use it. One part of writing your screenplay is just eliminating other possible options! 10. Lots of times, the material to get you unstuck will show up. When you’re stuck, make a list of what WOULDN’T happen next. You can’t do much with an unfinished script, but a finished script can always be rewritten and improved! 9. In an ideal world, you have both, but move on. Finish your story let go even if it’s not perfect. If you know the ending, you can figure out later how to get there. Endings are hard, get yours working upfront. Come up with your ending before you figure out your middle. What do we learn about your character by throwing obstacles in your way? Ensure you’re raising the stakes and make sure you have plenty happening that makes your character struggle. How do they deal?Ĭonflict and challenges are the lifeblood of a successful script. What is your character good at, comfortable with? Throw the polar opposite at them. ![]() Let the audience infer what has happened, rather than spelling it out for them. Get your characters into and out of scenes as quickly as possible. You’ll feel like you’re losing valuable stuff, but it sets you free. Until finally, _.īe able to explain the action of your story in this way! 5. In your next drafts, you can play with the theme! 4. ![]() Your first draft should be focused on just getting the story written. Trying for theme is important, but you won’t see what the story is actually about until you’re at the end of it. But if you are writing a screenplay and you want others to watch it, try to keep in my what you would like to watch. They can be very different.Īre you writing for you? There’s nothing wrong with writing a story as a passion project, with no intent to sell it or produce it. You have to keep in mind what’s interesting to you as an audience, not what’s fun to do as a writer. You admire a character for trying more than for their successes.Īudiences want to relate to a character and root for them whether they achieve their goals or not is less important than the character evolving and learning along the way. ![]()
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